Overall Rating :  |
- ‘Taali‘ boasts of some fine arrangements with a variety of instruments coming into play. In fact if not for Sajid-Wajid on the credits, one may have well imagined A.R. Rahman to be at the helm of affairs here
- ‘Surili Akhiyon Wale’ coming next. A melodic romantic number that boasts of some heartfelt and never heard before lyrics (has anyone ever heard of ‘ankhiyan’ being ’surili’?), it is further elevated due to silky vocals of Rahat Fateh Ali Khan
- ‘Salaam Aaya’ is a moderately paced love song which is a complete shift from the high-on-beats club tracks that are in vogue today.
- A Sonu Nigam solo, this one has an elaborate beginning to it and while there is a definite old world feel to ‘Meherbaniyan‘, one can’t deny the fact that Salman will have his fans asking for more once the track plays on screen
- ‘Kanha‘ which establishes once again that Sajid-Wajid do come with a good enough classical background.
- ‘Spirit Of Veer‘ which has a ‘Meherbaniyan‘ feel to it while being laced with fun and humour.
- OVERALL
Veer throws a pleasant surprise. There were apprehensions galore (as explained eariler) but a couple of listening pretty much facilitates their dilution. Sajid-Wajid have indeed given their best three soundtracks ever in Veer and though they may have had managed chartbusters earlier, Veer is the kind of album that would fetch them a much deserving respect
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